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In 400 Blows, Francois Truffaut, told the story of a family is destroyed and then the director lingered on the devastating impact it had on the child, finding in Paris and its streets, a surrogate mother ...
Laurent Tuel Here is a countdown of the Chief of Truffaut's work. Exit the streets of Paris, exit the field. It is enclosed in an apartment, bourgeois, bourgeois too (thought by some Chabrol film, proof that the French cinema, even when he attacks the shore of fantasy is hard to detach itself from its history and its exception cultural ...), yet it is here a couple that is consumed, until the final fire, or lost in the flames ...
Everything about the film is there, great topic, enhanced by a story of possession, which certainly can not avoid all the cliches, but still IMHO a great story.
Bias by Laurent Tuel and lock us in this apartment, to make us feel the narrowness of the corridors, these doors that we can not open, the life that revolves round, these traumatissmes that one does not name but who are alive ...
We follow the lives of Marianne and Jacques (Karin Viard and ... stunning presence, playing with a successful insanity superb) and slowly, slowly, the strange moves.
If I spoke Truffaut and Chabrol, we could almost here then invoked, as Pialat and his famous movie: A nos amours. In this flat, as in Pialat's film, the characters are forced to fold, privacy is limited, it is necessary to get the kids to have sex when the mother is washing, children can see ... I'd say almost anyone ... as in the flat film Pialat. The tragedy becomes unavoidable, unbearable ...
If Children Games is a film of possession and ghosts, a strange mixture of both, it is also a film about the couple, the difficulty of being a daily basis, that is sublimely illustrate a fantastic story ... As a strange allegory ... And I die it's usually what I like in a movie. As the uncanny is an image of a worry, fear or a sense real. Quite the opposite of Hostel (See article below ...) ...
Yet reducing the film to a simple Laurent Tuel movie nerd, boring and franchouillard, would be a grave mistake ... This film is a poison, a particular species that creeps slowly into your veins, which takes possession of you. Not sublime, for a film dealing with just possession, that is to say loss means ...
The feat is that it is here that children are the symbol of all that ... The flesh of our flesh, turning against us, all our hopes burning in smoke from ...
double tour de force, as it captures the accuracy of the cast, the face of these two angels, perfectly directed and subtly lit ...
Strangely, Children's Games is not a film that is scary in the sense that there is nothing spectacular, no morbid appearances and bloody. And yet there is something frightening in this film ... Something that holds the magic that takes you the heart ... The passage of time may be ... The pain and distance that can develop between human beings ... The trauma it's hard to forget ...
You'll understand this story of possession goes far beyond what one might at first glance ... While still further, despite the tight frames that are as enclose this whole psychological violence sustained by actors great attendance ...
Playground is a film taking on the couple, family, memories, time ... The time that passes and we assassin ...
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